(Source: -labyrinth, via realiteebites)
Melancholia
I don’t think any film about depression, planets, and space has left me feeling as uncomfortable and afraid as this film did last night. But I loved every minute of it. It’s filmed beautifully with an excellent cast. The usage of Richard Wagner’s “Tristan und Isolde” throughout the movie absolutely brought everything together. I can’t believe how much I loved this film and how many times I found myself catching my breath throughout.
Again, how is it that Kirsten Dunst is in every film that I love?
Well put. This is a most unsettling film.
Inglourious Basterds
(Source: sweetascherryfinelikewine)
Inglourious fucking Basterds by Quentin Tarantino
(Source: apoulains)
(Source: smokinglounge)
La Dolce Vita
(Source: pinterest.com, via trippingthistles)
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I can’t wait.
Here’s one critics review of this INSANE film after debuting at Cannes (biggest film fest in world) “You have never seen a film remotely like Holy Motors. In its gloriously, unapologetically batshit-crazy story and style, it is like a UFO in the competition here at Cannes, flying among normal aeroplanes. Watching it feels like listening to the ramblings of a lunatic and thinking to yourself, “Is he a prophet in our own times, or is he just completely insane?” I cannot overstate how mental this picture is, and will therefore state it several times throughout this review; I am still reeling from the screening, nearly 24 hours ago. It elicited gasps from the audience last night, as well as giggles at its preposterousness. In his refusal to deny himself any extravagance whatsoever, Carax makes Baz Luhrmann look like John Cassavetes.”
(Source: theswintons, via realiteebites)
You
captivate me. I don’t know a world without you anymore, and I have no intention of re-learning what that is like. I only want the world where I’m with you.
Going into production, Adrien Brody was the lead in the screenplay. Seeing as Terence Malick’s original cut of this was over six hours (typical), and obviously had to cut it down, Malick basically cut ALL of Brody’s screen time, making him shape the movie around Sean Penn and Jim Caviezel instead of Brody, who has like under five minutes of screen time in the final cut of this film.
I really want to see the original cut of the movie, even if it is six hours, just because I know Adrien Brody would have been fantastic. He’s the tits.
(Source: p-afiches)
